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split with Gil and the scandal of Iruña-Veleia

The technician responsible for the Archaeological Museum of Álava, Amelia Baldeon is split full hours of any relationship with the director of the excavation of Iruña-Veleia, Eliseo Gil, and denied having endorsed the "exceptional discoveries" which proved false. In an appearance before the Committee on Culture of the General Assembly of Álava, Baldeón also limited their functions to control the deposit of any material found in Alava, without decision-making capacity on the archaeological sites, validating and disseminating materials thereof.

The head of the Museum of Archaeology states that supported the view

technicians at all times wanted to make clear that ranks fourth in the rankings of the Department of Culture Provincial without decision-making capacity. "All I have to do is preserve the findings of any excavation, but by no means exhibit until they have the appropriate scientific report," he said.
's findings Iruña-Veleia for 2005 and 2006 submitted by Eliseo Gil did not have the scientific backing. Moreover, Baldeón sent yesterday afternoon a letter to the President of the General Meetings in which documents his position "refusal" to the granting of the exploitation of the deposit to Gil. Subsequent reports from 1989 to 1996, the curator of Archaeology, though not strictly its function, expressed opposition to take charge of the excavation of Veleia Gil. He also stressed yesterday that all the time endorsed the concerns of the committee of experts on the authenticity of the inscriptions. "My role was that of custodian of the pieces, why not participate in the process, but I signed all the minutes", he said.
however, left several questions unanswered jointer Patxi Martínez de Albeniz (EA) on its presence as a supervisor of the excavation of Veleia, the impetus given to a publication on the disputed text and images, linking his brother, Xavier Baldeón with Lurmen, SL, Eliseo company Gil, or reserving a space in the future Museum of Archaeology for parts. The jointer also questioned him about a letter that the professor of philology Gorrochategui Joaquin sent in June 2006, expressing serious doubts about the authenticity of the pieces, and Baldeón not moved to their superiors.

Source: El País